| 开课平台 | 爱课程（中国大学MOOC） |
|---|---|
| 开课高校 | 武汉大学 |
| 开课教师 | Xianwen HUANG、黄津 |
| 学科专业 | 艺术学美术学类 |
| 开课时间 | 2023/09/25 - 2023/12/31 |
|---|---|
| 课程周期 | 14 周 |
| 开课状态 | 已结课 |
| 每周学时 | - |
The East, a mysterious country, a long forgotten land.
However, the Oriental Art did not wither due to forgetting, but grew tenaciously, showing abundant vitality. A group of world-class directors appeared in the oriental film history, such as Akira Kurosawa, Yasujiro Ozu, Satyajit Ray, Fei Mu, Abbas Kiarostami, Kwon-taek Im, etc. A large number of masterpieces were given to birth including “In the Woods”, “Tokyo Story”, “Twenty-Four Eyes”, “Ballad of Narayama”, “Spring in a Small Town”, “My Memories of Old Beijing”, “Farewell My Concubine”, “The Tramp”, “Apur Sansar”, “Seopyeonje” and so forth, which can rival any excellent western film. However, for historical reasons, the Oriental Films have remained in a weak position and unknown in the world film industry. People are familiar the Western Films but know just a little of the Oriental films. So, what exactly is the case with the Oriental Films? Let us lift off her mysterious veil!
Chapter One Chinese Films
Lesson One Early Chinese Films
Lesson Two Post-War Chinese Films（1945—1949）
Lesson Three “Seventeen Years Films” (1949-1966)
Lesson Four Model Operas of “the Great Cultural Revolution” and the Third Generation Films
Lesson Five Late Blossoms: The Fourth Generation Films
Lesson Six The Fifth Generation Films
Lesson Seven The Sixth Generation Films
Chapter Two Taiwan Films
Lesson One Taiwan Films in 1960s and 1970s
Lesson Two Taiwan New Films
Lesson Three Taiwan Films since 1990s
Chapter Three Hong Kong Films
Lesson One Hong Kong Films in around 1960s
Lesson Two Hong Kong Films since 1980s
Chapter Four Japanese Films
Lesson One Early Japanese Films
Lesson Two Masters of Film: Akira Kurosawa, Yasujiro Ozu
Lesson Three “Japanese New Wave Films”
Lesson Four Japanese Films in 1970s and 1980s
Lesson Five Japanese Films since 1990s
Chapter Five Korean Films
Lesson One Korean Films (since 1990s)
Lesson Two Sex, War Aftermath, Buddhism: Ki-duk Kim’s Films
Lesson Three Kwon-taek Im and his “Seopyeonje”
Chapter Six Red Classic Films in North Korea
Red Classic Films in North Korea
Chapter Seven A Visit of Iranian Films
Iranian Films
Chapter Eight Indian Films: Kapoor, Ray
Indian Films: Kapoor, Ray